 The Hamburg-based duo gets your toes tapping, mind playing, feet moving,  emotions travelling, head thinking, hips jerking. But above all, they  make music that brings a smile to your face.
The Hamburg-based duo gets your toes tapping, mind playing, feet moving,  emotions travelling, head thinking, hips jerking. But above all, they  make music that brings a smile to your face.  
Imagine a mix of the art school elegance of Phoenix, the lively melodics  of Feist and the emotional depth of Bon Iver. But to draw such  comparisons is superficial and not     especially helpful because what you miss is the originality of the BOY concept and the charisma of its two performers.   
The BOY phenomenon began this summer with their first single 'Little  Numbers'. Now, having conquered their native Germany and Switzerland,  they are shipping their sharp brand of pop to the rest of Europe.  
BOY are both girls. Valeska Steiner sang in several bands in her native  Switzerland before moving to Germany, where Sonja Glass grew up, playing  the cello in classical orchestras as a child, and later working as a  bass player for several pop bands. The duo met when Valeska won a place  at a prestigious summer holiday music workshop in Hamburg. There she met  Sonja, who had recently returned from a spell studying bass guitar in  Holland.  
BOY's debut album, "Mutual Friends", is an autobiographical affair.  "It's about arrivals and new beginnings," says Valeska, whose songs are  written and sung in English. "About hopes and dreams and aspirations. We  want to make music that's positive and hopeful," explains Valeska.  "There is more to music than heartbreak and loss," agrees Sonja.   
"This is the Beginning" provides the springboard into the album. "Drive  Darling" is inspired by Valeska leaving behind friends and family in  Zurich. "And no rear view could picture what we leave behind. Drive,  darling, drive." As the tempo rises and the driving sound of guitars  push to the fore, the future seems to begin with a smile as a feeling of  optimism prevails. In complete contrast however, "Waitress" explores  the melancholy story of a barmaid stuck in time and wondering when her  life is going to start: "While daylight is fading, while traders are  trading, while the jukebox is playing, while lovers are dating, the  waitress is waiting." You can hear the empathy in Valeska's voice on the  album's last track, "July", a fitting end to the album, it closes the  circle of venturing out into the world by bringing you, at last, back  home. 
The dozen songs on "Mutual Friends", painstakingly recorded over a  two-and-a-half year period at the 12 square meter home studio of  producer and multi-instrumentalist Philipp Steinke in Berlin, have gone  through many transformations since they were written. "We made about 10  versions of most of the songs," says Sonja. "So they have evolved over  the course of time. And some of them have ended up sounding completely  different from the way they began."   
BOY played most instruments on the record themselves. Only in some  cases, such as drumming duties, a rotating roster of friends jumped in  to play, among them Phoenix's live drummer Thomas Hedlund.   
Their irresistible debut single "Little Numbers", which has sparked  countless YouTube tributes, is something of a straggler, being the last  recorded from the sessions.      But this is arguably precisely why the track is imbued with such a  rambunctious drive and dizzying joyousness; it is the product of studio  playtime, the long-awaited period where musicians can relax and have fun  knowing - wrongly as the case may be - that all the work is done. 
The colourful video, shot on the streets of Barcelona last summer, has  already clocked up nearly two millions YouTube hits since it was  uploaded in July. And the song swiftly spawned countless tributes from  fans posting their own versions.  
BOY's "Mutual Friends" is an intoxicating mixture to lift even the  dullest day out of the doldrums and the direct result of the  refreshingly lively and humorous personalities of Valeska and Sonja. BOY  sing smart, sharply-observed songs with hooks you can't get out of your  head and lyrics that come from the heart. With its irresistibly breezy  optimism, it's one of those out-of-nowhere pop hits that gets into your  head and won't go away. BOY's songs reveal inventive twists, adding  subtle experimental touches to a conventional pop palette of guitar,  piano drums and bass.   
| Members | Valeska Steiner & Sonja Glass  | 
|---|---|
| Hometown | Hamburg/Zürich | 
| About | BOY SHOP! http://boy.cottoncontrol.com/ BOY TICKETS! http://bit.ly/o9ZRel | 
| General Manager | arne@380grad.com  | 
|---|
| Website | |
|---|---|
| Booking Agent | henning@fourartists.com | 
 
 
 
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2 comments:
fuck Lana Del Rey
Εκπληκτική φωνή!
Κάτι μου λέει πως θα ακούσουμε πολλά από αυτές τις δυο στο μέλλον.
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